Because of you,
we’re celebrating.
Whether you have joined a practice, attended an event, made a one-off donation, or are a Collective Being Member, your support has helped us foster wellness, connection and thriving communities—at a time when it’s needed more than ever.
On Sunday 29th September, join us for a 3-hour exploration of self, story, sound and soma to celebrate our 7-year birthday and raise funds for future trauma-sensitive programs. Every mat filled will help us continue our mission.
A cosy afternoon awaits—of meditation, storytelling, conversation, guided movement and a live performance and soundscape. With tiered pricing of $55, $75 or $95, your continued support will make a tangible difference in the lives of others. Book your place now.
How the afternoon will run:
Welcome meditation
Storytelling and conversation with our team
Live harp and guided restorative movement practice with Genevieve Fry, Isabelle Stoner and Phil Kayumba
Short tea break with time to chat to our team, purchase merchandise, and learn other ways to support Collective Being
Sound immersion and meditation with Aarti Jadu and Jo Buick
Closing meditation and thank you
Book your place now and let’s celebrate with a difference.
The details
What: Meditation, Movement Practice, Live Performance and Soundscapes, Conversations and Storytelling
Date: Sunday 29th September 2024
Time: 3.00 - 6.00pm
Location: 75 Reid, Fitzroy North (single level, accessible space, with wheelchair entry, accessible and gender-neutral bathrooms).
Tickets: Scaled and tax-deductible ($55, $75, $95) with all funds dedicated to the delivery of trauma-sensitive programs.
60-minute live performance and soundscape by Aarti Jadu
This set revolves around the interchange between gentle digital processing / recordings, synthesizers and organic voice. It will be mainly improvised to best suit the time, setting and feel on the day. This will be one long progressive set of 50 minutes where Aarti will draw from various folk and classical styles forming revolving motifs oscillating between solo and choruses. Her music, played in various venues across Naarm, is often described as being “down-regulating” and “trance-like” in nature.